The Secret Of SkinWalker Ranch

This Will Change EVERYTHING on The Secret of Skinwalker Ranch!

This Will Change EVERYTHING on The Secret of Skinwalker Ranch!

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Hey everyone, Jeff here with the JREE 906 podcast, and I wanted to share this clip with you. This is from our recent conversation with Mr. Eric Bard, who is the principal investigator for the Secrets of Skinwalker Ranch. He was describing what he calls the Light Garden. This is really, really interesting, and I hope you enjoy this quick clip.

If you want to check out the entire video, you can do so at the JREE 906 podcast right here on YouTube.


“I’ve created an array just like you’re talking about, Mike, and I have a sort of a stand-in for a UAP. I have a portrayal, a model, a conceptual model that I could share that speaks right to what you’re talking about.”


“Please, now, if you will walk me through what it takes to share a screen, I’ll do it.”


“Alright, do you see the content?”


“Yes, I see it.”


“Alright, is it dynamic? Is it moving?”


“Yes.”


“Okay, alright, guys, behold the light.”


“Okay, alright, look…”


“Wow, yeah, yeah, okay.”


“So, I made this because I feel like, look, we all learn better when we have something interactive and something visual, right? And so, what you see here is a model. And forgive me if this gets clumsy, because I’m actually accessing another machine using VNC and all this other stuff. So, we have a… yeah, okay, okay, this is great.”


“So you see, I can move it around?”


“Yep.”


“And you see my lovely stand-in for a UAP?”


“Yep.”


“Yeah, this is gratuitous as heck, I know, but I think it makes the point well.”


“Mike, you’re smiling! Alright, that’s a good sign.”


“This is awesome.”


“Alright, so I’m gonna grab my UAP.”


“Okay, so let me set this up right. So, the Light Garden—remember, I talked about a Cartesian grid of sensors—and let’s suppose we set up the system so that, in our mind’s eye, we’ve got these posts out on the field, and at the top of every post, we have a light whose brightness corresponds to the deviation, let’s say, of the current GPS reading from sort of the Box Car average, or the known position of our sensor. Right, the error?”


“Okay, or it could be some other metric. It could be the… mag… the… uh… you know, if we take the… the vector magnet, the B field, what do we call the magnetic field? You know, or… you know, any other metric that we’re interested in, and we look for coherent patterns, like a wake of some kind as a result of something that we may or may not see in the intervening space between the satellites in Middle Earth orbit— all the GNSS stuff, including GPS, and our sensors on the ground.”


“Okay, now with that set up, we’ve got basically every one of those, I’m pointing over here at the screen, every one of those points, uh, that you see, those little spheres, is independently calculating something based upon time and its positional relationship to my UAP.”


“Okay, so what I’m going to do is I’m going to grab the UAP and I want to show you an example of something that we might see from our Light Garden.”


“You see what’s happening?”


“Oh, yeah.”


“Yes, this is amazing.”


“So, I want you to imagine, I want you to imagine… yeah, I had fun making this all. Okay, actually, what you’re seeing is one of the fun components of what I do. Making TV is probably not my favorite part. I think others will tell you that. I get it.”


“But let’s imagine we’ve got, you know, this thing, this craft, this effect, this—I’m going to call it the effect generator—passing through our space, okay? And obviously, with proximity to our sensor array, the effect grows, right? It’s quite spectacular, right?”


“Okay, whereas, you know, here I’m, you know, I’m doing something like an inverse Square law or something, doesn’t matter.”


“So, what I’ve just shown you is something that I’ve seen in my head, for better or worse, since 2017. I’ve had this in my head, and that’s why we’re doing GPS, and that’s why we’re sneaking up on hopefully a robust system for measuring whether it be geophysical effects, atmospheric effects, things that might be associated with, like, the geomagnetic storms that we see.”


“Yeah, possibly exotic physics having to do with, you know, the things that Travis has so eloquently presented. I love the aspirational stuff. The… I don’t, you know, science fiction, I love it, you know. It’s got science plus imagination in it. It’s real science, right?”


“And so, let it be associated with the what we call the anomaly over the triangle, as you said. You know, I loved it, you set it up perfectly, Mike, you know, right over the triangle, right?”


“You know, so whatever it is—whether it’s technological, or natural, or whatever in origin—my desire is to be able to image that, to at least tomographically, you know, at least get a slice of whatever the effect is.”


“And if it’s Mother Nature, great. You know, that’s another show. Nature’s Got Talent, right?”


“Indeed, right.”


“But the point here is to just augment our natural senses and give us, you know, a greater awareness of some of the really cool physics that’s playing out all around us, and even passing through us.”


“So, if we were to build something like this—probably impractical, the Light Garden—we might come into possession of data like we see here and be able to, you know, with some appropriate fitting, we may be able to come up with, you know, coherent patterns like we see here.”


“I hope this is appealing.”


“This absolutely… Oh my gosh, yeah. Everybody in the chat is going, ‘That is so wild!'”


“Yeah, well, see, I have fun making stuff like this, and you know what, look, look, you know, I just had my 55th birthday on last Christmas. My point being, none of us is too old to learn some new tricks, and as I do this stuff, I’m learning, and that’s one of the joyful things about engagement with this context is picking up whatever skills I need in order to get ideas across.”


“Who knows? You know, maybe someone else will come in and take a look at this and go, ‘Oh, Eric, you’re missing this. You need that.’ You know, and so it’s this kind of synergistic discourse. When I talk about elevating the discourse, this is what I want to do. So this is my contribution to that.”


“Wow, that’s fascinating.”

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